Robert Greenwald Live Streaming Event at Columbia

A screening of the film RETHINK AFGHANISTAN, which Oliver Stone calls an “in-your-face, makes-you-think documentary” and “an indispensable guide to what’s really going on in Afghanistan. Not what you read in the mainstream newspapers or see on television.”

“Rethink Afghanistan” director Robert Greenwald of Brave New Films will participate in a LIVE STREAMING discussion following the screening.

The screening will begin shortly after 6:30 pm. The live streaming event with Greenwald will take place around 8:15 pm.

About Robert Greenwald

Robert Greenwald is a producer, director, political activist, and Brave New Films founder and president. His is currently focused on the RETHINK AFHANISTAN (2009, RethinkAfghanistan.com) documentary and campaign which addresses the misguided U.S. policy in Afghanistan. He has also produced and distributed short viral videos and campaigns like SICK FOR PROFIT (SickForProfit.com), FOX ATTACKS videos (FoxAttacks.com) and THE REAL MCCAIN (TheRealMcCain.com), which were seen by almost a million people in a matter of days.

Greenwald is also the director/producer of IRAQ FOR SALE: THE WAR PROFITEERS (2006), a documentary that exposes what happens when corporations go to war and WAL-MART: THE HIGH COST OF LOW PRICE (2005), a documentary that uncovers the retail giant’s assault on families and American values and OUTFOXED: RUPERT MURDOCH’S WAR ON JOURNALISM (2004). He also executive produced a trilogy of political documentaries: UNPRECEDENTED: THE 2000 ELECTION; UNCOVERED: THE WAR ON IRAQ (2003), which Greenwald also directed; and UNCONSTITUTIONAL (2004).

About Brave New Films

BRAVE NEW FILMS (BraveNewFilms.org), Greenwald’s new media company, uses film to tell stories that build movements and influence debate about the most important issues of the day. Brave New Films released the THE BIG BUY: TOM DELAY’S STOLEN CONGRESS in May 2006 and recently produced two TV series: ACLU FREEDOM FILES and THE SIERRA CLUB CHRONICLES – which can be seen on Link TV, Court TV (ACLU) and via the internet.

Viva Docsters in Link TV “One Chicago, One Nation” Contest

“We’re Taking Our Country Back” is a short documentary Columbia College alum Parson Brown and senior documentary student Kevin Gosztola worked on for the “One Chicago, One Nation” Online Video Contest. It takes a look at the challenges communities face culturally, politically, and socially as a result of a growing faction in America known as the Tea Party. It asks communities to consider how they plan to confront the growing threat to public services and social safety nets in communities as a result of an agenda that cries out against Big Government, which is being pushed by Americans who despise America’s first African-American president.

Please consider getting a username, logging in, watching the film, rating it, and even leaving a comment. Thank you.

Also, International Student Documentary Competition (ISDC) coordinator and Viva Documentary advisor Anuradha Rana and Columbia television instructor Laurie Little have a short, “Disability Pride” in the contest.

Their film:

“…weaves ‘on the street’ interviews with verite footage of the 6th Annual Disability Pride Parade in 2009, to convey human experiences that promote pride through the belief that disability is a natural part of human diversity, and should be celebrated. The parade, held every year in Chicago, is the first of its kind in the world and people travel far and wide to attend the event. The next parade is on July 24, 2010 and the filmmaker’s hope that this film can persuade more people to attend and show their support for Disability Rights.”

The two filmmakers have already received pages of comments and many, many votes making it highly likely they will be one of the finalists in the Documentary category. And, if you haven’t voted and left a comment yet, please do.

The contest ends April 30th. If anymore Viva Docsters post videos, they will be posted here.

New Documentary Explores Coca-Cola’s Assassination of Colombian Union Leaders

A post on AlterNet.org details the new documentary, “The Coca-Cola Case,” which “chronicles the relentless efforts of American lawyers trying to take the soft drink giant to court over the killings of 10 union leaders, who represented workers at Coke bottling plants in Colombia.”

The post says of the film:

The documentary splits its time nicely between two battles: the court fight waged by Daniel Kovalik, lawyer for the United Steelworkers union, on behalf of Columbian union members, and the public awareness crusade of Ray Rogers, who directed the Campaign to Stop Killer Coke.

Well-shot and polished, this social justice procedural can sometimes lag — primarily because it relies on talking heads and doesn’t delve enough into the lives of Coke workers and those of the brave union activists in Colombia. Of course, the directors — German Guiterrez and Carmen Garcia — would have made many editorial decisions regarding their focus. I just would have appreciated just a little more on the daily struggles of the unionists.

That aside, “The Coca-Cola Case” is a fascinating portrayal of corporate irresponsibility and greed. Kovalik himself is a great character, one who tirelessly pours himself into the cause as he spearheads the legal battle to get compensation for the families of the dead unionists.

For more, click here.

*Here’s the trailer:

World Shorts ISDC Fundraiser & More

6 Days of Doc Wednesday 4/28

Wednesday 4/28
Bake Sale… 12-5pm in the 1104 S. Wabash lobby… interested in baking?
Contact Mitch at wenkusproductions@gmail.com

Thursday 4/29:
Come support doc filmmaker Zach Mehrbach at Big Screen, starting at 7pm. Big Screen will be in the Film Row Cinema on the 8th Floor of the 1104 S. Wabash Building

Sunday, 5/2:
“World Shorts” fundraiser for the ISDC, $10 at the Viaduct Theatre @8pm, with performances by Pet Peeve, Jon Drake & the Shakes, and the Gentlemen’s Guild. Prizes for person wearing the best shorts!

Monday, 5/3:
Looking for Democracy Film Fest in Film Row Cinema from 5pm-8pm, brought to you by the Illinois Humanities Council:

http://www.prairie.org/events/23717/art-hurts-art-urges-voyages-looking-democracy-film-contest-screening

Wednesday, 5/5:
Check out dir. Brent Day’s “Farm 2 Fork” doc about local organic farming. 4-6pm, Hokin Lecture Hall, 623 S. Wabash. Discussion to follow.


Thursday, 5/6:
“An Evening of Brave New Films” screening featuring ‘Rethink Afghanistan’ and live Skype Q&A with dir. Robert Greenwald. Doors open at 6pm at the Ferguson Lecture Hall in the 600 S. Michigan Building. Screening begins at 6:30 pm. Q&A at 8:15 pm after the screening. For more, visit bravenewfilms.org and bravenewtheaters.com.

http://farm1.static.flickr.com/21/27482344_0f1038ad3e.jpg

Chevron Demands Access to Doc Filmmaker’s Footage, Could Have Chilling Effect on Documentary

Documentarian Joe Berlinger, the director of the documentary “Crude,” a film which chronicles the environmental devastation that petroleum companies like Chevron are wreaking in Ecuador, was subpoenaed by Chevron for access to more than 600 hours of footage.

In the story, which appears on TheWrap.com, Berlinger says, “There is a lot at stake here…This is a financial burden for a documentarian to fight this fight. But if Chevron is successful in getting a journalist to turn over a work in process, it will have a chilling effect on this kind of documentary making in future.”

Berlinger also says what Chevron is trying to compel him to do is to violate pacts he made with members of tribes in Ecuador:

“When invited into extremely sensitive situations, there’s a level of trust-building that the filmmaker is going to be responsible with the story he’s telling, and not an expectation that dailies will be handed over to adversaries in litigation.”

Chevron claims that Berlinger may have “unwittingly captured on film other instances of improper collaboration between court experts and the plaintiffs’ representatives that would further demonstrate the illegitimate nature of the entire Lago Agrio trial.”

The Lago Agrio trial is the epic trial against Chevron that “30,000 Amazonian settlers and indigenous people, who call themselves Los Afectados—the Affected Ones” have been waging. It is the trial that is the primary focus of Berlinger’s documentary.

For more on Berlinger’s battle, click here.

6 Days of Doc Events


Upcoming Events:

Wednesday 4/28:
Bake Sale… 12-5pm in the 1104 S. Wabash lobby… interested in baking?
Contact Mitch at wenkusproductions@gmail.com

Thursday 4/29:
Come support doc filmmaker Zach Mehrbach at Big Screen, starting at 7pm. Big Screen will be in the Film Row Cinema on the 8th Floor of the 1104 S. Wabash Building

Sunday, 5/2:
“World Shorts” fundraiser for the ISDC, $10 at the Viaduct Theatre @8pm, with performances by Pet Peeve, Jon Drake & the Shakes, and the Gentlemen’s Guild.  Prizes for person wearing the best shorts!

Monday, 5/3:
Looking for Democracy Film Fest in Film Row Cinema from 5pm-8pm, brought to you by the Illinois Humanities Council:

http://www.prairie.org/events/23717/art-hurts-art-urges-voyages-looking-democracy-film-contest-screening

Wednesday, 5/5:
Check out dir. Brent Day’s “Farm 2 Fork” doc about local organic farming.  4-6pm, Hokin Lecture Hall, 623 S. Wabash. Discussion to follow.


Thursday, 5/6:
“An Evening of Brave New Films” screening featuring ‘Rethink Afghanistan’ and live Skype Q&A with dir. Robert Greenwald. Doors open at 6pm at the Ferguson Lecture Hall in the 600 S. Michigan Building. Screening begins at 6:30 pm. Q&A at 8:15 pm after the screening. For more, visit bravenewfilms.org and bravenewtheaters.com.

http://farm1.static.flickr.com/21/27482344_0f1038ad3e.jpg

Gordon Quinn, Jerry Temaner Talk Early Kartemquin Films at Columbia

Just over a week ago, Gordon Quinn and Jerry Temaner came to Columbia College to participate in the “Art, Access & Action” Summit at Columbia and talk with documentary students (and others) about documentary film making and how film making and society has changed since the era when great early Kartemquin films like What the Fuck are These Red Squares? and Hum 255 were made.

The discussion featured a screening of What the Fuck are These Red Squares?.

Here’s a synopsis of the film:

Striking students meet at a “Revolutionary Seminar” at the Art Institute of Chicago in response to the invasion of Cambodia and the killing of protesting students at Kent and Jackson State Universities. They explore their role as artists in a capitalist society and issue questions like: What are the implications of the artist’s elitist position in America? Is it possible not to be co-opted, as “radical” as one’s art may be? What are the connections between money and art in America? between the “New York Scene” and the rest of the country?

The conversation was filmed and video of the conversation may be posted on the Viva Documentary website in the near future. For those of you who missed it, the discussion got into how discourse has changed since the 1960s, why students protested during Vietnam and why there aren’t many students protesting the wars in the Middle East right now, whether spontaneous conversation like this could be filmed for a documentary in today’s world, and whether young people are turned on to the most pressing social and cultural issues of the day.

The conversation was very free-form with Gordon Quinn and Jerry Temaner offering many anecdotes from their experiences as filmmakers throughout the past decades. Both shared memories of the Democratic National Convention in Chicago in 1968 and the fascinating sight of young people at pay phones letting their parents know that they were alright and their parents shouldn’t be worried about them (this as shots of police beating young protesters were being shown on television).

Following the early Kartemquin films discussion, Gordon Quinn participated in a talk about fair use, copyright and the commons with accomplished PBS filmmaker Brad Lichtenstein.

The two used the document, “Best Practices in Fair Use“, to go through examples from their experiences as documentary filmmakers. Each example touched on an element of the “Fair Use” document, which is a document for filmmakers which empowers them against those who might suggest they don’t have the right to use certain material in their work. “Fair use” allows a filmmaker to “quote copyrighted material without asking permission or paying for it” (in some circumstances). It’s what keeps copyright law from being total censorship.

That conversation was filmed, too. And it will be made available to the public some time in the not-so-distant future as well.

If you enjoyed these documentary events, please comment on this. And if you would like to see more documentary events at Columbia, stay tuned.

Along with the upcoming International Student Documentary Competition Fundraiser, World Shorts, there are plans in the works.

Viva Doc Calendar

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